Blindness (film) - Wikipedia. Blindness is a 2. Brazilian- Canadian film, an adaptation of the 1. Portuguese author José Saramago about a society suffering an epidemic of blindness.

The film was written by Don Mc. Kellar and directed by Fernando Meirelles with Julianne Moore and Mark Ruffalo as the main characters. Saramago originally refused to sell the rights for a film adaptation, but the producers were able to acquire it with the condition that the film would be set in an unnamed and unrecognizable city. Blindness premiered as the opening film at the Cannes Film Festival on May 1.

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1. Blindness is a 2008 Brazilian-Canadian film, an adaptation of the 1995 novel of the same name by Portuguese author José Saramago about a society suffering an.
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United States on October 3, 2. A young Japanese professional is struck blind in his car at a crossing and is then approached by a few people, one offers to drive him home and steals his car. The blinded man describes his sudden affliction as an expanse of dazzling white. Upon arriving home and noticing her husband's blindness, the man's wife takes him to a local ophthalmologist who, after testing the man's eyes, can identify nothing wrong and recommends further evaluation at a hospital. Among the doctor's patients are an old man with a black eye- patch, a woman with dark glasses, and a young boy. Watch Cyberbully Online (2017). During a dinner with his wife, the doctor discusses the strange case.

The woman with dark glasses, revealed to be a call- girl, becomes the third victim of the strange blindness after an appointment with a john in a hotel. The next day, the doctor goes blind as well. Around the city, more citizens are struck blind, causing widespread panic, and the government organizes a quarantine for the blind in a derelict asylum. When a hazmat crew arrives to pick up the doctor, his wife climbs into the van, lying that she has gone blind in order to accompany him.

In the asylum, the doctor and his wife are first to arrive and both agree they will keep her sight a secret. Several others arrive: the woman with dark glasses, the Japanese man, the car thief, and the young boy. The wife comes across the old man with the eye- patch, who describes the condition of the world outside. The sudden blindness, known as the "white sickness", is now international, with hundreds of cases reported every day. The increasingly totalitarian government resorts to increasingly ruthless measures to try to staunch the epidemic, refusing the sick aid or medicines. As more blind people are crammed into the prison, overcrowding and lack of outside support causes hygiene and living conditions to degrade.

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Soon, the walls and floors are caked in filth and human feces. Anxiety over the availability of food undermines the morale and the lack of organization prevents the fair distribution of food. The soldiers who guard the asylum become hostile. Living conditions degenerate further when a clique of ward- 3 men, armed with one handgun held by an ex- barman who declares himself the king of ward, gains control over the food deliveries. The MRE rations are distributed only in exchange for the other wards' valuables, and then for sex with the women of the other wards. When one of the women is beaten to death by the man having the coerced sex with her, the doctor's wife has had enough and soon kills the king with scissors to the neck.

His death initiates a chaotic war confrontation between the wards, which culminates with ward- 3 and then most of the building being burned down and some inmates dying in the fire. The survivors discover that the guards have abandoned their posts and they are free to venture into the city. Society has degenerated as the entire population is blind amid a city devastated and overrun with filth and dead bodies. The doctor's wife leads her husband and others from her ward in search of food and shelter. The doctor and his wife arrive in a supermarket filled with stumbling blind people and they find food in a basement storeroom. As she prepares to leave and meet her husband outside, she is attacked by the starving people who smell the food she is carrying.

Her husband, now used to his blindness, saves her and they manage to return to their friends. The doctor and his wife with their new "family" make their way back to the doctor's house, where they establish a mutually supportive permanent home. The next day, just as suddenly as his sight had been lost, the Japanese man recovers his sight. As the friends all celebrate, the doctor's wife stands out on the porch, staring up into a white overcast sky and seems to be going blind until the camera shifts downwards, revealing that she sees the cityscape. Julianne Moore as the doctor's wife, the only person immune to the epidemic of blindness.

Her sight is kept a secret by her husband and others, though as time goes on, she feels isolated in being the only one with sight.[2] Moore described her character's responsibility: "Her biggest concern in the beginning is simply her husband. But her ability to see ultimately both isolates her and makes her into a leader." The director also gave Moore's character a wardrobe that would match the actor's skin and dyed blond hair, giving her the appearance of a "pale angel".[2]Mark Ruffalo as Doctor.[3] The doctor also becomes something of a leader; in an early scene, he reveals that he has been elected as his ward's official representative to the rest of the community. Meirelles originally sought to cast actor Daniel Craig as Doctor, but negotiations were not finalized.[4] Ruffalo said that his character loses the illusion of his self- perspective and perceives his wife as being a person he could aspire to. Ruffalo said, "That's a very difficult moment for anybody, to have all their perceptions completely shattered, but I think the Doctor finally comes to a peace about his inabilities and his downfall, and admits to an admiration for his wife's strengths."[5] The actor wore a layer of makeup to appear older and also wore contact lenses to be blind while having his eyes open. The actor said of the experience as a blind character, "At first it's terrifying and then it's frustrating and then it gets quiet.. As an actor I suddenly felt free."[6]Danny Glover as Man with Black Eye Patch. Glover described his character: "The Man with the Black Eye Patch comes into this new world of blindness already half blind, so I think he understands where he is within his own truth, within himself.

I did feel like this character was very much like Saramago because he is completely unapologetic—he is who he is and he accepts who he is."[7] Glover explained his involvement with the role, "When you are blind you try to adopt another kind of sensitivity, so this role is definitely a challenge from a physical point of view."[8]Gael García Bernal as Bartender/King of Ward 3,[5] one of the film's villains. In defiance of the doctor's democratic efforts and election as leader of Ward 1, the bartender declares himself "King of Ward 3" and gains immediate popularity from his "subjects" by prioritizing food over his ward's community responsibilities such as burying the dead. He somehow obtains a revolver and uses it to bully the other wards by controlling the food supply. Meirelles followed the advice of Brazilian stage director Antunes Filho and changed the character from the novel by making him more ambiguous, explaining, "In the book, he is really a mean guy, terribly evil from the beginning.. I thought it was more interesting to have him be not evil but more like a child with a gun."[9] Bernal described the result of his character, "I think the King is just very practical, very pragmatic. He appears cold because he is not an idealist and does not see hope, but he is a survivor, the same as all the others."[5] The doctor's wife kills him with a pair of medical scissors to the neck.

His death marks the point when Ward 1 takes back control, with the doctor's wife's threat to kill one of the men from Ward 3 for every day her ward goes without food. Maury Chaykin as Accountant,[5] who helps the King of Ward 3 bully the members of the other wards.

Pablo Escobar: Ruthless drug lord or loving father? Story highlights. Pablo Escobar's son had to come to terms with the fact that he loved his father but hated what he did.

Sebastian Marroquin realized he had to do all he could to make sure his father's life was never repeated. His book about his father was published this week in the United States (CNN)The acknowledgments in Sebastian Marroquin's book consist of one sentence: "To my father, who showed me what path not to take."That is probably the highest compliment Marroquin could pay his father. What can you say about a man who was a monster?

Perhaps that's why Marroquin stayed silent for two decades after the 1. Pablo Escobar, the Colombian drug lord who built a multibillion- dollar empire dealing cocaine. Along the way, he ordered the deaths of thousands of people, among them politicians, judges, journalists and rival traffickers.

Escobar was ambitious and brutal enough to become one of the world's wealthiest and most violent criminals of all time. The stories of his absurd riches were well known, including one about burning $2 million in cash to keep his daughter warm while they were in hiding. He became the stuff of legend, like Al Capone or Bonnie and Clyde. After he died, Escobar's family was forced to flee Colombia for their own safety. Marroquin - - born Juan Pablo Escobar - - lived incognito in Buenos Aires under his new legal name. He began piecing himself back together after spending the first 1. Marroquin, now 3.

He adored his father but hated what he did. Escobar gave as extremely to his family as he took away from his enemies. He showered his wife and children with unconditional love and ostentatious luxury. He also cultivated a Robin Hood image by donating money and housing to Medellin, Colombia's, poor."Not all of my father's history and its acts are full of evil," Marroquin says. At the same time, he inflicted terrible suffering on so many people.

I have to live with both truths," Marroquin says. The love I feel for him is not negotiable - - he was an excellent father. It's not easy to admit to the world the great cruelty of my father."This week, the English translation of Marroquin's book, "Pablo Escobar, My Father," was published in the United States, days before Netflix releases season two of "Narcos," the popular series about Escobar. Also out is "Infiltrator," a movie starring Bryan Cranston that focuses on a US Customs special agent who helped bust Escobar's money- laundering organization. Marroquin's book comes at a good time.

Both the series and the movie have helped resurrect Escobar's notoriety, which faded outside Colombia along with the collapse of his Medellin Cartel. Marroquin describes his book - - first published two years ago in Spanish - - as an intimate investigation into his father's life.

Not judgment, not absolute truth, but a son's sincere journey to learn more about his father. And he published it under his given name: Juan Pablo Escobar. I spoke recently via Skype with Marroquin, who was visiting Colombia for further research on his father. Marroquin parked his car off the side of the road and strolled with his smartphone among tall trees in the homeland he had to abandon. After all these years, he can finally return to Colombia without fear or shame. He is a soft- spoken man of gentle demeanor and hardly seems connected by blood to a narco gangster.

He has chosen a life of peace and reconciliation to atone for his father's actions."I could easily have turned into Pablo 2. I found out about the violence and the pain," Marroquin says. We had no freedom. We were always hiding. We had millions but we could not go outside to buy a piece of bread."Marroquin grew up with everything a boy could have wanted. The family lived in Hacienda Napoles, a vast and tony ranch with 2. By the time Marroquin was 1.

ATVs, go- karts and dune buggies. When he was 1. 3, he had his own bachelor pad with two large bedrooms, a zebra skinand a futuristic bar. Escobar took his son to Disney World, and there is even a photo of the two of them standing in front of the White House. Marroquin remembers the tender side of the father who sang to him every night at bedtime, promising him the world.

Not surprisingly, the son idolized his father, but things started getting murky when, at 7, Marroquin began to discover Escobar's dark side. It was 1. 98. 4 and Escobar had ordered the assassination of Colombia's then- justice minister, Rodrigo Lara Bonilla, who had launched an aggressive anti- drug campaign. That's when I understood my father was dedicated to other things," Marroquin says. That was the same year Escobar was expelled from the Colombian Congress, a move that shattered Escobar's dreams of becoming president one day. For the next few years, he waged a bloody war against the government in a series of assassinations and terrorist attacks, including the 1.

Avianca Airlines Flight 2. A lot of people wanted to see Escobar dead, and his family lived in constant fear.

Marroquin says he and his mother repeatedly confronted Escobar and tried to persuade him to abandon his violent ways. But Escobar relished his life as a bandit."He had no intention of changing his life," Marroquin says, though Escobar never pressured his son to help run his drug empire. He told me if I wanted to be a doctor, he would givemethe best hospital," Marroquin says.

He never wanted me to follow in his footsteps."The legacy of his father haunted Marroquin for years as he settled into a new life as an architect, industrial designer and writer in Buenos Aires. Then in 2. 00. 8, he returned to Colombia for the first time, with bodyguards and in an armored car, to meet Lara's son as well as the three sons of Carlos Luis Galan, a popular politician and presidential candidate who was also assassinated under the orders of Escobar."How do you write to a family that your own father hurt so much? How do you open a conversation?" That's how Marroquin opened the letter he sent to the sons of Escobar's most prominent victims, asking to meet them."Absolute silence slowly kills us all," Marroquin wrote. He wished them to know that he was not his father, and yet he felt compelled to assume moral responsibility for their suffering and ask for forgiveness.

He was humbled by the meeting he finally had with the sons of Lara and Galan, depicted in the 2. Sins of My Father." They told him it was not emotionally easy to speak with the son of their fathers' killer. They also told him this: "We are all victims. We have nothing to forgive you because you are not Pablo Escobar."Marroquin tells me he doesn't know if he could have been as compassionate if he were in their position.

I don't know if I could have reacted the same way."In our Skype conversation, I ask Marroquin why he decided to write his book, to tell all in such a public way. He wanted the loved ones of his father's victims to have access to truth about Pablo Escobar, he tells me.

He wanted his own son, now 3, to know that truth and not learn about his grandfather from outsiders. He often feels gangster lifestyles are glorified on screen and in popular art. That's one reason he despised "Narcos," the Netflix series."I am not worried that the image of my father is bad. What worries me is the image of him that says, 'It's cool to be a narco trafficker.'"He criticizes the producers for not consulting him or his mother."It's my opinion that 'Narcos' is a way for the United States to implant their version of drugs in the world," he says. And in a way, he says, it was Americans and their cocaine habits that fueled Escobar's actions. By the end of the 1.

Escobar was said to have been supplying 8. United States every day.

The last time Marroquin spoke with his father was on December 2, 1. Normally, Escobar never spoke for long on the phone; he was always in hiding from police and his enemies and did not want his calls to get traced. But that day, it didn't seem to matter.

He seemed defeated."Papa, don't call anymore," Marroquin told his father.